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Giacomo Puccini

Thursday, January 19, 2017


parterre box

January 17

A point upon a map of fog

parterre boxSan Francisco Opera in 2017-2018 presents the Ring cycle, a new John Adams/Peter Sellars collaboration called Girls of the Golden West, plus new productions of Elektra (Christine Goerke, Stephanie Blythe, Adrianne Pieczonka) and Manon (Nadine Sierra, Michael Fabiano.) The full press release follows: SAN FRANCISCO, CA (January 17, 2017) — San Francisco Opera General Director Matthew Shilvock and Music Director Nicola Luisotti today announced plans for the 2017–18 repertory season. The Company’s 95th season will open Friday, September 8 with a gala performance of Giacomo Puccini’s Turandot led by Maestro Luisotti and an international cast starring Martina Serafin, Maria Agresta and Brian Jagde. On the occasion of this special evening, San Francisco Opera Guild will produce their signature event Opera Ball 2017, presented in honor of Nicola Luisotti, who concludes his tenure as the Company’s music director at the end of the 2017–18 Season. San Francisco Opera’s new season features the highly anticipated world premiere of Girls of the Golden West by composer John Adams; the return of Francesca Zambello’s production of Richard Wagner’s epic tetralogy Der Ring des Nibelungen (The Ring of the Nibelung); bold new productions of Richard Strauss’ gripping music drama Elektra and Jules Massenet’s sensual Manon; and revivals of Giacomo Puccini’s Turandot and Giuseppe Verdi’s La Traviata. All performances will be presented at the War Memorial Opera House. Today’s public announcement was held at San Francisco Opera’s Diane B. Wilsey Center for Opera before an audience of the Bay Area press corps, cultural and civic community leaders and special guests. Director Francesca Zambello, composer John Adams and librettist/director Peter Sellars joined Matthew Shilvock for the live-streamed press conference. “Our 2017–18 Season encapsulates the power of opera to tell the great stories of humanity, whether about us as individuals or as a society. The diverse sweep of engaging productions features many of the world’s finest artists, including some very exciting debuts,” said Matthew Shilvock. “The season was planned by David Gockley, and it represents the tenets of excellence that defined his incredible tenure with the Company, including the commissioning of John Adams’ Girls of the Golden West. We are so proud to premiere this new opera in the fall as a culmination of the worldwide events honoring John’s 70th birthday year.” Shilvock continued: “Beginning in September, we also honor Nicola Luisotti in his final season as our distinguished music director. The energy and vitality he has brought to us will resonate long into our future. The esteemed forces of the San Francisco Opera Orchestra, Chorus, Dance Corps and Crew will create spectacular worlds on the War Memorial Opera House stage, worlds that will move, transport and thrill audiences. At the apex of this is the summer Ring Cycle, the most monumental celebration imaginable of the Company and the community that we serve. I am incredibly excited for what lies ahead.” The 2017–18 Season marks Matthew Shilvock’s second as general director of San Francisco Opera. Shilvock is the Company’s seventh General Director in its 94-year-history, following in the footsteps of Gaetano Merola who founded San Francisco Opera in 1923, Kurt Herbert Adler (1953–1981), Terence A. McEwen (1982–1988), Lotfi Mansouri (1988–2001), Pamela Rosenberg (2001–2005) and David Gockley (2006–2016). Due to the necessity of long-term artistic planning and contracting of artists, David Gockley planned the 2017–18 Season. Shilvock’s first planned season as general director will be the 2018–19 repertory season. At the conclusion of the 2017–18 Season, Nicola Luisotti will formally step down as music director. Maestro Luisotti made his San Francisco Opera debut in 2005 conducting Verdi’s La Forza del Destino and became music director in 2009. During his tenure with the Company, he has led over 40 opera productions and concerts, including a historic performance of Verdi’s Messa da Requiem that united the orchestras and choruses of San Francisco Opera and Teatro di San Carlo of Naples on the War Memorial Opera House stage. During the fall season, Luisotti will conduct performances of Turandot, La Traviata and the annual San Francisco Opera in the Park concert. As an expression of San Francisco Opera Guild’s appreciation of Nicola Luisotti’s artistic contributions, Guild President Jane Mudge designated the Italian maestro as their distinguished honoree for Opera Ball 2017. “I am deeply honored to be on the podium for the gala opening of San Francisco Opera’s 2017–18 Season and to lead such an important cast of singers in Turandot,” commented Nicola Luisotti. “I’m very proud of the work we have accomplished during my time with San Francisco Opera. As I will be stepping down from the post of music director at the end of next season, it will certainly be an emotional year for me. I believe strongly in our Company and that we will continue to make extraordinary music each night. My wife, Rita, and I both thank the entire Company, the San Francisco Opera Guild and the Bay Area community from the bottom of our hearts.” For the 2017–18 Season, San Francisco Opera has invited many of the world’s leading singers, as well as emerging artists, to perform at the War Memorial Opera House. They include: Maria Agresta, Jamie Barton, Stephanie Blythe, J’Nai Bridges, Julia Bullock, Melissa Citro, Leah Crocetto, Aurelia Florian, Christine Goerke, Evelyn Herlitzius, Hye Jung Lee, Karita Mattila, Ronnita Miller, Adrianne Pieczonka, Martina Serafin, Nadine Sierra, Nina Stemme; Raymond Aceto, Paul Appleby, Atalla Ayan, Daniel Brenna, David Cangelosi, Michael Fabiano, Greer Grimsley, Soloman Howard, Brian Jagde, Brandon Jovanovich, Elliot Madore, Štefan Margita, Ryan McKinny, Brian Mulligan, David Pershall, Artur Ruci?ski, Andrea Silvestrelli, Falk Struckmann, Davóne Tines and Alfred Walker. Featured conductors, directors and designers include: Patrick Fournillier, Christopher Franklin, Grant Gershon, Nicola Luisotti, Henrik Nánási, Donald Runnicles; Vincent Boussard, Garnett Bruce, Anja Kühnhold, Shawna Lucey, Peter Sellars, Keith Warner, Francesca Zambello; John Conklin, David Gropman, David Hockney, Vincent Lemaire and Michael Yeargan. Ian Robertson is San Francisco Opera Chorus Director. FALL 2017 SEASON Puccini: Turandot (September 8–30; November 18–December 9) The 2017–18 Season opens Friday, September 8 with Turandot, Giacomo Puccini’s 1926 unfinished masterpiece of fantasy and romanticism set in legendary Peking (last duet and finale by Franco Alfano). San Francisco Opera Music Director Nicola Luisotti conducts an international cast led by the acclaimed Viennese soprano Martina Serafin as Princess Turandot. A frequent performer with the Vienna State Opera, Milan’s Teatro alla Scala and the Opéra National de Paris, Serafin sang her first performances in North America with San Francisco Opera in 2007 as the Marschallin in Der Rosenkavalier. American tenor Brian Jagde, who was praised by The Mercury News for his “ardent and expressive” role debut as Radames in Aida last November, returns in 2017 to take on Calaf, another new role which is known for the famous aria “Nessun dorma.” Italian soprano Maria Agresta will debut as the tragic heroine Liù on September 8, 12, 15 and 21. Heralded for her artistry in a variety of roles, Agresta’s performance as Amelia in Simon Boccanegra with Rome Opera led Opera News to observe: “her voice is exquisitely focused and freshly attractive in coloration, her legato impeccable and her soft singing as effortless as her fortissimos above the staff.” Last season at London’s Royal Opera, Agresta was praised for her portrayal of Violetta Valéry in La Traviata, which featured conductor Luisotti on the podium. American soprano and current San Francisco Opera Adler Fellow Toni Marie Palmertree will perform Liù on September 24 and 30. Palmertree thrilled San Francisco Opera audiences in November 2016 when, with two hours’ notice, she stepped in for an ailing colleague to perform as Cio-Cio-San in Madama Butterfly. American bass Raymond Aceto sings the role of Timur. Director Garnett Bruce stages this revival of David Hockney’s colorful production and Company Chorus Director Ian Robertson prepares the San Francisco Opera Chorus. Turandot returns to the stage in November and December with a cast led by Swedish soprano Nina Stemme in the title role. Admired for her Brünnhilde in Wagner’s Ring cycle at San Francisco Opera in 2011, Stemme gives an equally accomplished stage portrayal of Turandot, for which the New York Times praised her “powerful, luxuriant voice [which] retained its warmth throughout the evening, with blazing high notes.” American soprano Leah Crocetto sings Liù, a role which she first performed with San Francisco Opera in 2011 and subsequently at the Metropolitan Opera during the 2015–16 Season. American bass Soloman Howard makes his Company and role debut as Timur, and American conductor Christopher Franklin bows for the first time with the Company leading the Opera Orchestra and Chorus in the November and December performances. Brian Jagde returns as Calaf and Joo Won Kang (Ping), Julius Ahn (Pang), Joel Sorensen (Pong), Brad Walker (a Mandarin) and Robert Brubaker (Emperor Altoum) complete the cast in all performances. Strauss: Elektra (September 9–27) On September 9, Richard Strauss and Hugo von Hofmannsthal’s 1909 opera Elektra surges back onto the War Memorial Opera House stage for the first time in two decades in a provocative new production by celebrated English director Keith Warner. This psychologically complex and vocally formidable opera requires lyric artists of the first rank and San Francisco Opera has assembled a superlative cast that includes soprano Christine Goerke, mezzo-soprano Stephanie Blythe and soprano Adrianne Pieczonka, along with bass-baritone Alfred Walker in his Company debut and tenor Robert Brubaker. The staging of this co-production with the National Theatre in Prague and the Badisches Staatstheater Karlsruhe will be directed in revival by Anja Kühnhold. The creative team features the work of set designer Boris Kudli?ka, costume designerKaspar Glarner, lighting designer John Bishop and video designer Bartek Macias. American soprano Christine Goerke returns to San Francisco Opera in one of her most celebrated roles as the deranged and vengeful Elektra. Her portrayal of the part with the Boston Symphony Orchestra at Carnegie Hall led the New York Observer to proclaim: “To the rarefied society of superb interpreters of Elektra, consisting of perhaps two or three singers in each generation, we can now welcome Ms. Goerke.” American mezzo-soprano Stephanie Blythe, “who boasts one of the most powerful voices in opera” (New York Times), makes her role debut as Elektra’s embattled mother, Klytemnestra. Canadian soprano Adrianne Pieczonka, renowned for her interpretation of Chrysothemis, returns to the Company for the first time since performing Tosca in 2009. In his first appearance with San Francisco Opera, American bass-baritone Alfred Walker sings Orest and tenor Robert Brubaker is Aegisth. Hungarian conductor Henrik Nánási, General Music Director of Komische Oper Berlin, makes his podium debut with the Company leading Strauss’ intricate and explosive score. Warner’s setting of this opera based on the classic Greek tragedy brings Elektra into the present day. The British director commented: “On one hand, Elektra is really an amazingly complex, deep piece and on the other it is an almost horror movie kind of thriller. Dreadful, terrible deeds are happening in this family: there have been murders in the past and there will be more murders on the day when the story is taking place. We have decided to set the piece in a modern museum where a girl is going through and reading about Sophocles’ Electra and Carl Jung’s Electra complex. The artifacts and information trigger a series of memories in her and we go back into her story. She must confront the truth by confronting the terrible events that started this whole chain reaction of murder and mayhem.” Verdi: La Traviata (September 23–October 17) A revival of Verdi’s enduring classic La Traviata opens on September 23 with Maestro Nicola Luisotti leading a cast that includes three artists making their Company debuts in leading roles. Romanian soprano Aurelia Florian, who has performed Violetta Valéry in Berlin, Munich, Oslo and Tel Aviv, will sing her first performances in the United States as the courtesan who sacrifices everything for love. Brazilian tenor Atalla Ayan debuts as Alfredo Germont, a role which he will also sing this year in March and April at the Metropolitan Opera and in June at Covent Garden. Polish baritone Artur Ruci?ski will portray Giorgio Germont. Since his 2010 breakout performances in the title role of Eugene Onegin at Deutsche Staatsoper Berlin, Ruci?ski has been heard in many of the world’s leading opera houses and has performed Germont in Berlin, Verona and London. John Copley’s elegant production returns and will be directed in revival by Shawna Lucey. Flamenco performer and Artistic Director of Theatre Flamenco of San Francisco Carola Zertuche contributes new choreography in her Company debut. Massenet: Manon (November 4–22 Soprano Nadine Sierra and tenor Michael Fabiano headline a new production of Jules Massenet’s opera of young love and reckless passion, Manon, which returns to the Company’s repertory on November 4 after an absence of 19 seasons. Sierra sings the title role for the first time in her career, which in 2016 included acclaimed debuts with the Metropolitan Opera, Milan’s La Scala and Opéra National de Paris where her “lithe soprano masterfully soared with tones of exceptional grace” in Cavalli’s Eliogabalo (Musical America). Hailed as “a sensational performer” by The Guardian for his role debut as Lensky in Eugene Onegin and last heard with San Francisco Opera in June 2016 performing the title role in Don Carlo for the first time, Fabiano premieres another new role with the Company in 2017 with Chevalier des Grieux. At a recent San Francisco Opera gala, the duo of Sierra and Fabiano were featured in the “vocally steamy” St. Sulpice scene from the opera. The San Francisco Chronicle declared “nothing got the audience quite so jazzed as the incendiary duet from Massenet’s Manon.” Baritone David Pershall, who made his first appearance with the Company in September 2016 as Roucher in Giordano’s Andrea Chénier, returns as Lescaut. Bass James Creswell is Comte des Grieux, baritone Timothy Mix is De Brétigny and tenor Robert Brubaker portrays Guillot de Morfontaine. Parisian-born conductor and Massenet specialist Patrick Fournillier, who made his Company debut in 2010 conducting Alfano’s Cyrano de Bergerac and who also led the 2013 new production of Les Contes d’Hoffmann, returns to conduct the San Francisco Opera Orchestra and Chorus in Massenet’s plush score. Vincent Boussard, whose production of Bellini’s I Capuleti e i Montecchi was presented at San Francisco Opera in 2012, returns to direct this new interpretation of Manon, a co-production with the Lithuanian National Opera and Ballet Theatre and the Israeli Opera, featuring sets designed by Vincent Lemaire, costumes designed by Boussard and lighting by Gary Marder. Boussard noted: “Manon is a specific play from 18th-century France, rewritten by Massenet in the 19th century, who was dreaming about that earlier time. So, we have to find all the crispy colors of all those periods of time. I tried to make it as pure as possible in terms of setting, not too much decoration. It is a style that requires the singers to be great performers because Manon is a very intimate piece. I believe that the story of a young lady who wants to listen to a call for freedom and pleasure belongs to our period of time.” Adams: Girls of the Golden West (November 21–December 10) On November 21, the War Memorial Opera House will play host to one of the musical season’s most eagerly anticipated events: the world premiere of Girls of the Golden West, the newest opera by composer and California resident John Adams, written expressly for San Francisco Opera. With a libretto by director Peter Sellars, Girls of the Golden West explores the dramatic and often brutal stories of pioneers on California’s Gold Rush frontier during the 1850s. Initiated by the Company’s former General Director David Gockley, this auspicious opera debut will be the culmination of the yearlong, worldwide celebrations honoring the American composer’s 70th birthday. A co-commission and co-production between San Francisco Opera, The Dallas Opera, Nationale Opera and Ballet Amsterdam and the Teatro La Fenice, Venice, Girls of the Golden West will premiere in San Francisco, a mere 200 miles away from the opera’s setting in the historic mining sites of Rich Bar and Downieville. The opera is presented by arrangement with Hendon Music, Inc., a Boosey & Hawkes company, publisher and copyright owner. Adams, whose previous operas Nixon in China, The Death of Klinghoffer and Doctor Atomic have all been produced by San Francisco Opera, began work on the score in June 2015. He said, “I have a cabin in the Sierra Nevada Mountains not far from where these events in the opera took place. I know the terrain. I have hiked through those valleys and along those hillsides. This is home to me. Not many composers can hope to be as lucky as I to have this connection to the historical reality.” The libretto by Sellars is drawn from period sources including The Shirley Letters, vivid accounts of life at Rich Bar written by Louise Amelia Knapp Smith Clappe, using her pen name “Dame Shirley”; speeches by civil rights champion Frederick Douglass; poetry of Argentinian, Chilean and Chinese miners; songs of the period; and the journalistic writings of Mark Twain. Reflecting on these historic writings, Sellars commented: “The true stories of the Forty-Niners are overwhelming in their heroism, passion and cruelty, telling tales of racial conflicts, colorful and humorous exploits, political strife and struggles to build anew a life and to decide what it would mean to be American. And let me add that I’m hugely stimulated by the dynamic, high-spirited and deeply moving music that John is creating. I am in high anticipation in my eagerness to bring this new work to life, first in San Francisco, and later around the world.” “One of the key elements in the opera,” Adams remarked, “is the trove of original Gold Rush song lyrics that I’ve set. These are lyrics that, in their frank and homely simplicity, describe the hardships, wild expectations and crushing realities these miners experienced.” Adams continued, “I am unusually excited about our cast for this world premiere. They are, in a lot of ways, a slam dunk.” Soprano Julia Bullock will make her Company debut as Dame Shirley. Earning acclaim for her performances in contemporary works by Adams, Kaija Saariaho and Tyshawn Sorey, Bullock’s performance in Purcell’s The Indian Queen with the English National Opera was admired by The Telegraph for its “moments of heart-stopping beauty.” Bass-baritone Davóne Tines makes his first local operatic appearance as Ned Peters, an African-American cowboy and former slave who is drawn to the promise of the frontier. At age 30, Tines has had three operas composed with his voice in mind, and was hailed in a tweet by The New Yorker’s Alex Ross as a “great, electrifying singer.” Mezzo-soprano J’Nai Bridges returns to the Company as Josefa Segovia, a young Mexican woman who serves drinks and entertains the miners at The Empire Hotel in Rich Bar. Along with her 2016 San Francisco Opera debut as Bersi in Giordano’s Andrea Chénier, Bridges, whom the Los Angeles Times and Opera News have declared a “rising star,” also won acclaim last year for her portrayal of Nefertiti in Philip Glass’ Akhnaten with LA Opera. Bass-baritone Ryan McKinny, who recently portrayed Amfortas in Parsifal at the Bayreuth Festival, will make his Company debut in Girls of the Golden West as Clarence King. Tenor Paul Appleby, who last appeared with the Company as Tamino in Mozart’s The Magic Flute in 2015, returns to sing the pivotal role of Joe Cannon, a miner whose desire for Josefa leads to a crisis in the camp. Having previously appeared with San Francisco Opera as Madame Mao Tse-tung in Nixon in China in 2012 and Olympia in Offenbach’s Les Contes d’Hoffmann in 2013, Korean soprano Hye Jung Lee returns to portray Ah Sing, the Chinese courtesan who wishes to marry Joe. Baritone Elliot Madore, who first appeared with the Company as Anthony Hope in Sweeney Todd, portrays the bartender of The Empire Hotel, Ramón. San Francisco Ballet principal dancer Lorena Feijoo will portray the mid-19th-century entertainer and celebrity Lola Montez, who was known for her provocative “Spider Dance.” Sellars, who “has created a body of work that will transcend epoch and place, style and fad” (Opera News), anchors a creative team that is drawn from the worlds of opera, theater and cinema, including set designer David Gropman, costume designer Rita Ryack, lighting designerJames F. Ingalls, sound designer Mark Grey and choreographer John Heginbotham. Conductor Grant Gershon, currently in his sixteenth season as the artistic director of the Los Angeles Master Chorale, will lead the cast, San Francisco Opera Orchestra, Chorus and Dance Corps in this new work. The collaboration between San Francisco Opera and John Adams began with the co-commission of The Death of Klinghoffer and presentation of its West Coast premiere in 1992. The Company commissioned the composer to create Doctor Atomic, presenting that work’s world premiere in 2005. Adams’ collaboration with Sellars extends back to 1987 when Sellars directed the world premiere of Adams’ first opera, Nixon in China, with a libretto by Alice Goodman, at Houston Grand Opera. San Francisco Opera presented Nixon in China in a production by Michael Cavanagh in 2012. SUMMER 2018 SEASON Wagner: Der Ring des Nibelungen (June 12–July 1) (The Ring of the Nibelung) From June 12 through July 1, 2018, San Francisco Opera will present one of the greatest and most ambitious works of music, theater and stagecraft ever created: Wagner’s Der Ring des Nibelungen (The Ring of the Nibelung). When first unveiled as a full cycle at San Francisco Opera in 2011, Francesca Zambello’s production was hailed by the New York Times as “boldly contemporary” and the San Francisco Chronicle observed: “San Francisco Opera’s most ambitious undertaking in years also turned out to be the company’s greatest triumph.” The 2018 Ring Festival will revive the acclaimed production in three complete cycles of the tetralogy: Das Rheingold, Die Walküre, Siegfried and Götterdämmerung. Director Francesca Zambello returns to direct and introduce several new features, including technologically advanced projections, new imagery and restudied stage action that were not part of the production’s earlier incarnation at San Francisco Opera in 2011. Utilizing visuals from various periods of American history in each of the four operas, Zambello commented: “Since directing the Ring again in 2016 in Washington, D.C., the power of the work feels even more contemporary. We are presenting a world in some ways familiar to our audience but also one that will feel very mythic as we look to our country’s rich imagery. The characters seem known to us as we have placed more emphasis on the role of the family and the role of redemption through all the female characters. The great overarching themes of the Ring—nature, power and corruption—resound through America’s past and haunt our present.” Renowned Wagnerian conductor Donald Runnicles returns to lead cast, orchestra and chorus in all three cycles. An international cast of the world’s leading Wagnerians has been assembled for this production of the Ring, including a trio of exceptional artists who are new to the Company. German soprano Evelyn Herlitzius will portray Brünnhilde in Die Walküre, Siegfried and Götterdämmerung; American tenor Daniel Brenna will bow as Siegfried in both Siegfried and Götterdämmerung; and German bass-baritone Falk Struckmann, who has performed most of the low-voiced roles in the Ring, makes both his Company and role debuts as Alberich in Das Rheingold, Siegfried and Götterdämmerung. Known throughout the world for his interpretation of Wotan King of the Gods, American bass-baritone Greer Grimsley brings his celebrated portrayal to the War Memorial Opera House stage for the first time. Finnish soprano Karita Mattila will sing Sieglinde in Die Walküre. American tenor Brandon Jovanovich reprises the roles he performed in the 2011 production: Froh in Das Rheingold and Siegmund in Die Walküre. Triumphant in her Company debut as Adalgisa in the 2014 performances of Bellini’s Norma, American mezzo-soprano Jamie Barton will sing the roles of Fricka in Das Rheingold and Die Walküre, and Waltraute and the Second Norn in Götterdämmerung. Štefan Margita and David Cangelosi reprise the roles of Loge and Mime respectively, portrayals for which the two tenors were highly praised in the Company’s 2011 Ring. Bass Raymond Aceto sings the roles of Fafner (Das Rheingold and Siegfried) and Hunding (Die Walküre); baritone Brian Mulligan portrays Donner (Das Rheingold) and Gunther (Götterdämmerung); and bass Andrea Silvestrelli is Fasolt (Das Rheingold) and Hagen (Götterdämmerung). As part of today’s announcement, San Francisco Opera revealed additions to the roster of artists who will be featured in the four Ring operas. Soprano Julie Adams joins the previously announced cast as Freia in Das Rheingold and Gerhilde in Die Walküre. Mezzo-soprano Ronnita Miller, mezzo-soprano Jamie Barton and incoming Adler Fellow soprano Sarah Cambidge will portray the three Norns in Götterdämmerung. The Valkyries in the third act of Die Walküre, who sing the memorable “Ho-jo-to-ho”s following Wagner’s iconic “Ride of the Valkyries,” will be performed by Adams, Cambidge, Melissa Citro, Laura Krumm, Lauren McNeese, Renée Rapier and Renée Tatum. All artists will perform their roles in each of the three cycles, which are scheduled for June 12–17, June 19–24 and June 26–July 1, 2018. Ring cycle performances take place on Tuesday, Wednesday, Friday and Sunday. To provide Ring aficionados and those who are new to the work additional points of engagement, San Francisco Opera will partner with Bay Area cultural institutions to present myriad activities during the 2018 Ring Festival, including lectures and other events. The full calendar of ancillary programs will be announced at a later date. For more information, visit sfopera.com/ring . Regarded as one of the world’s leading companies in presenting the Ring, San Francisco Opera first produced Wagner’s masterwork in 1935 with Friedrich Schorr (Wotan), Lauritz Melchior (Siegmund/Siegfried), Elisabeth Rethberg (Sieglinde) and Kirsten Flagstad (Brünnhilde). Later stagings followed in 1972, 1985, 1990, 1999 and 2011. For details of past San Francisco Opera presentations of Turandot, Elektra, La Traviata, Manon and the Ring, visit the online performance archive at archive.sfopera.com .

Iron Tongue of Midnight

Yesterday

San Francisco Opera 2017-18 Season Announcement and Press Conference

Francesca Zambello, John Adams, Peter Sellars, Matthew ShilvockPhoto: Scott Wall, courtesy of San Francisco Opera As I said the other week to various friends, we have known the bulk of the SFO 2017-18 season for some time. David Gockley disclosed the summer, 2018 Ring sometime in 2015, and at the time named both Evelyn Herlitzius and Greer Grimsley as daughter and father, with the full cast announced this past fall. I have already commented on the cast; the production, which will be in its third complete bring-up, is a known commodity. Then there was the surprise announcement last June of the John Adams commission, Girls of the Golden West. Between the Ring and Le Girls*, the company pre-announced most of the season. And then, at the David Gockley gala, Michael Fabiano and Nadine Sierra sang a duet from Massenet's Manon, and there was so much nudge, nudge, wink, wink going on that you might think some hints were being dropped. Or so I've been told, since I wasn't there. Now they've announced the season, and here it is, briefly; see the company web site for the full press release. Yes, Manon, plus the five pre-announced operas, plus three more, making nine for the season. Details and commentary below. The press conference started with Matthew Shilvock talking about-opera company-as-community, given how many people it takes to stage one opera, let alone a mammoth undertaking such as the Ring. He lavished praise on Nicola Luisotti, whose name is on the announcement, but who wasn't able to be present "because he is conducting Pagliacci [looks at watch] at this very moment in Turin." Shilvock thanked a lot of people as he went through the announcement, and had some witty commentary on some of the casting. Announcing Stephanie Blythe (!) as Klytemnestra, he positively relished linking that role back to her very funny turn as Mrs. Lovett. Okay, but I do not think she baked Agamemmnon into a pie! And, while thanking David Gockley along the way, he mentioned that Gockley planned this entire season. That was a smart thing to say. Next season is far better than the current season, but we are on notice that we can't tell from 2017-18 what the future artistic direction of the company will be. And, honestly, that is what I'm most curious about right now. The structure of the press conference unfortunately did not really allow for asking that kind of question, because the bulk of it was taken up by an extended chat/Q&A session, with Shilvock asking quite good questions of guests John Adams, Peter Sellars, and Francesca Zambello. Those three were present for obvious reasons: the upcoming Adams commission and the season-ending Ring, in Zambello's production. The connecting thread really was gold and the fact that a good chunk of Rheingold is set in the Sierra Nevada. There was only time at the end for a few questions from the press, alas, so I didn't get to ask any of the several questions I had in mind. By then, because Peter Sellars had had a lot to say, I had pretty much given up on them, in fact. That said, the three of them had good stuff to say, as well as a lot; I noted particularly some comments by Adams about how the music of mid-19th c. American didn't have much of a national character yet, and also that what the singer have to sing is more like songs than arias in this opera. He also mentioned the California history series written by Kevin Starr, former state historian; Starr died rather young of a heart attack this past weekend. His mid-19th c. volume might make a good introduction to the period of the opera. Here's the season: Turandot, split presentation, with six performances in September, including opening night, and six in November/December. Nicola Luisotti conducts. Turandot: Martina Serafin/Nina Stemme; Calaf: Brian Jagde; Liu: Maria Agresta & Toni Marie Palmertree (September)/Leah Crocetto (November/December); Timur: Raymond Aceto/Solomon Howard. It is the same old Hockney production (groan). Wish they'd replace this. Not only has it been done for more than 20 years, it would be excellent to have a production that "interrogates the opera," as musicologist Mark Berry might say. I am curious about Stemme, Serafin, Agresta, and Palmertree in their roles; I've seen Crocetto's Liu; I'm....dubious about how much of a success Jagde will be as Calaf. Elektra, six performances, September.  Henrik Nánási conducts. Elektra: Christine Goerke (cheering); Chrysothemis: Adrianne Pieczonka; Klytemnestra: Stephanie Blythe; Orest: Alfred Walker; Aegisthus: Robert Brubaker. New production by Keith Warner, co-produced with National Theatre of Prague and Badisches Staatstheater Karlsruhe. I admit to being....dubious....about the Konzept, as described by Matthew Shilvock during the press conference. It's set in a museum that has an exhibit on the Elektra complex, and a woman who has somehow gotten stranded in the museum after hours looks it over and makes some personal discoveries. I think. This is such a deeply psychological opera that any sort of framing device adds unnecessary layers; there are already plenty of layers in the opera as written. It's been around 20 years since Elektra was last done in SF, so, regardless of the production, it's about time. Along with the Adams, it's my pick for most interesting work of the season. Not to mention, what a great cast, with Goerke and Pieczonka both proven to be terrific with the sister act. Blythe should be an interesting Klytemnestra. The conductor is Hungarian and music director of the Komische Oper, Berlin. La Traviata, ten performances in September and October. Nicola Luisotti conducts, and this will presumably be his last appearances as music director of SFO. (Matthew Shilvock did mention that they are in discussions with him about future guest appearances.) Curiously, Donald Runnicles' last run as MD was also in Traviata. I was at that performance, with Elizabeth Futral, David Lomeli, and Stephen Powell, and Runnicles got a bigger hand than anyone in the cast. Violetta: Aurelia Florian; Alfredo Germont: Atalla Ayan; Giorgio Germont: Artur Rucinski. The John Copley production, getting a little worn around the edges. I know nothing at all about Aurelia Florian and Atalla Ayan. I have heard Artur Rucinski at his web site, and he has a beautiful and impressive sound and style. Manon, six performances in November. Patrick Fournillier conducts. Manon: Nadine Sierra; Chevalier des Grieux: Michael Fabiano; Comte des Grieux: James Creswell; Lescaut: David Pershall. New production by Vincent Boussard, who also designed the costumes. His work was last seen here in I Capuleti a few seasons ago; remember Nicole Cabell on the edge of a sink? It'll be interesting to see Fabiano and Sierra together. Fournillier conducted Cyrano de Bergerac, which was nicely done, a lovely but not very memorable bonbon. Girls of the Golden West, eight performances in November and December, with the premiere - world premiere, that is - coming on the Tuesday before Thanksgiving, an odd date. Grant Gershon of the LA Master Chorale conducts, his debut at SF Opera. He has conducted a lot of Adams in LA and is taking over The Gospel According to the Other Mary from Joana Carneiro at SFS. Dame Shirley: Julia Bullock; Ned Peters: Davone Tines; Josefa Segovia: J'Nai Bridges; Clarence King: Ryan McKinny; Joe Cannon: Paul Appleby; Ah Sing: Hye Jung Lee; Ramon: Elliot Madore; Lola Montez: SF Ballet dancer Lorena Feijoo. Peter Sellars directs and is credited with the libretto. Sound design by Mark Grey (amplification, as is usual with Adams). Co-production with The Dallas Opera, Nationale Opera & Ballet Amsterdam and Teatro La Fenice. In other words, miss it here, and you'll be able to see it elsewhere. The Met has never commissioned Adams - this seems inexplicable, given his history as an opera composer - but they've done three of his works, so they may well pick it up at some point. * Le Girls, after Giacomo Puccini. There's a sketch of the opening of La Fanciulla del West at the Morgan Library in NYC on which he called the opera La Girl. I am not making this up, you know: I saw it with my own eyes many years ago.




Meeting in Music

January 17

Recent updates to previously posted music

01/18/17 Musique Française #2 +1DDL Respighi's Fountains & Pines of Rome, The Birds by Louis Lane in Atlanta (1985) 01/11/17 Debussy #3 +1DDL Jeux & Images pour Orchestre by Tilson Thomas in San Francisco (2014) 01/10/17 Musique Française #2 +1CD Saint-Saens' 1st Cello Concerto by Tortelier & Frémaux in Birmingham (1974) 01/03/17 Summer Nights #10 +1CD Elgar's Cello Concerto by Paul Tortelier & Charles Groves in London (1988) 12/29/16 Goodbye 2015 +1CD Monteverdi's Selva morale e spirituale by William Christie (1987) 12/26/16 Musique Française #3 +1CD set Berlioz's L'enfance du Christ by C. Davis in London (1976) (a rip by Enrico B.) 12/19/16 Wintery Romantics +1CD Tchaikovsky's 'Pathétique' Symphony by Giuseppe Sinopoli in London (1989) 12/16/16 Summer Nights #11 +1CD Gesualdo's Tenebrae responsories by the BBC Singers & Bo Holten (2004) 12/16/16 Summer Nights #10 +1CD set Byrd and Taverner: Masses, by David Willcocks in Cambridge (1963) 12/12/16 Schubert #1 +1CD Sonata D.894 & Impromptus D.899 by Daniel Levy in London (1997) 12/11/16 Summer Nights #9 +1CD Volkmann's Cello Concerto & Serenades by H. Karni & M. Pommer (Hamburg 1997) 12/9/16 Mozart: Nachtmusik Added missing track #9 (+New cue file and log) 12/5/16 Stravinsky #2 +1DVD Petrushka + Blacher's Paganini Variations by Zubin Mehta in Florence 1995 12/5/16 Opera Favourites #3 +1DVD Verdi: 4 Pezzi Sacri by Claudio Abbado in Stockholm 1998 (+ Debussy's Nocturnes) 12/3/16 Second Viennese School Ess.ls #4 +1CD Schoenberg's Pelleas + Variations Op. 31 by Zubin Mehta in Tel Aviv 12/3/16 In the Name of Music +1CD Orff's Carmina Burana by James Levine in Chicago (1984) (a rip by Cunctator) 11/29/16 Summer Nights #2 +1CD Korngold's Piano Music by Ingrid Jacoby (1998) 11/29/16 Wintery Romantics +1CD Grieg & Schumann, Piano Concertos by Ingrid Jacoby in London (2005) 11/21/16 Poulenc +1CD Motets, 7 Chansons, Mass, Figure humaine by the Grex Vocalis choral ensemble (1999) 11/18/16 Musique Française #1 +1 CD Ravel Tombeau, Fauré Masques & Pavane by the Orpheus Chamber Orch. (1995) 11/18/16 Musique Française #3 +1CD set Ravel's piano music by Jacques Rouvier (1974) 11/15/16 Prokofiev #1 +1CD Concertos Nos. 1 & 3 with Gary Graffman & George Szell in Cleveland (1966) 11/15/16 In the Name of Music +1CD Orff's Carmina Burana by Richard Hickox in London (1987) 11/14/16 American Classics +1CD Ives & Creston's Symphonies no. 2 by Neeme Neeme Järvi in Detroit (1995) 11/13/16 Shostakovich #2 +1CD Suites from 'The Gadfly' and 'Pirogov' film scores by José Serebrier (1987) 11/13/16 Shostakovich #1 +1CD Semyon Bychkov's 5th in Berlin (1986) now from original CD 11/11/16 The Odd Couple +1CD Mozart Concerto No. 13 + Beethoven's 'Eroica' by Barenboim in Versailles (1997) 11/11/16 The Odd Couple #2 +1CD Mozart's Requiem by Riccardo Muti in Berlin (1987) 11/8/16 Rachmaninov #2 +1DVD Rip Concerto no. 3 with Giorgia Tomassi in Tel Aviv (1992) 11/8/16 The Long Goodbye +1CD Mozart & Weber's Clarinet Quintets by Eduard Brunner & the Hagen Quartett (1987) 11/7/16 Summer Nights #1 +1CD Korngold & Schmidt Chamber Music with Piano Left Hand by Leon Fleisher (1993) 11/4/16 Mahler Lieder +1CD Fischer-Dieskau's Gesellen & Kindertoten + Wolf's Lieder in the 50s (a rip by Corrado D.) 11/4/16 Wintery Romantics +1CD Dvorak Cello Concerto & Tchaikovsky's Rococo' by Christine Walevska (1971) 11/3/16 Rare Grooves #2 +LP set Vivaldi's Il Cimento Op. 8 by I Musici and Felix Ayo (1959) (a transfer by Enrico B.) 11/1/16 Summer Nights #11 +1CD Chinese Ancient Classical Music by Xiaming (2001) 11/1/16 Debussy #4 +1CD Etudes, Images oubliées, Estampes, Suite Bergamasque by Roger Woodward (1997) 11/1/16 American Classics +1CD Copland's Piano Works (Blues, Sonata, Rodeo, Salon) by Eugenie Russo (1995) 11/1/16 American Classics +1CD Copland's Tender Land & Red Pony Suites by James Sedares in Phoenix (1991) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & The Firebird Suite by James DePreist in Portland (2000) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & Apollo by Jaap van Zweden in Hilversum (2006) 10/17/16 Mahler Lieder +1CD Wyn Morris 1966 Des Knaben Wunderhorn (J. Baker & G. Evans) (a rip by Leroy V) 10/12/16 Musique Française #2 +1CD Debussy, Ravel, Poulenc, Saint-Saens: Violin Sonatas by Kang & Devoyon (2003) 10/11/16 Darmstadt #4 +1CD Carter's Piano & Cello Sonatas + works by Del Tredici, Helps & Persichetti 10/11/16 Brahms Piano & Chamber Gems +1CD Clarinet & String Quintets by D. Shifrin and Chamber Music N-W 10/11/16 Darmstadt #3 +1CD Boulez's Structures for 2 Pianos by the Kontarsky Duo (1965) 10/8/16 Spanish School #2 +1CD set Albeniz's Iberia by Olivier Chauzu (2008) 10/4/16 Strauss #3 +1CD Oboe Concerto by Douglas Boyd & Paavo Berglund (1986) (+ Mozart's K. 314) 10/4/16 Strauss #3 +1CD set Heldenleben & Zarathustra with Zubin Mehta in L.A. (1968) (a rip by Dante B.) 10/3/16 Bartok #5 +1CD The wooden Prince & Hungarian Pictures by Neeme Jarvi in London (1990) 10/3/16 Bartok #5 +1CD The wooden Prince & Dance Suite by Ivan Fischer in Budapest (1996) 10/1/16 Haydn Quartets Op. 9 New links added for the original release from the 1990's. Disc scans and inside cover scans are included in the new scans link. Scroll to the bottom of the comments section for the new links. 9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish School #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish School #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish School #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish School #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch (a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungarian Dances, 5 Studies and 2 Rhapsodies by Louis D. Alvanis (1994) 4/7/15 Ein Bach...: +1LP: Daniel Varsano's recording of the Goldberg Variations (CBS, 1980) 4/7/15 Debussy #2 +1LP: Mélodies (including Baudelaire & Mallarmé sets) by Hugues Cuenod (1979) 4/7/15 Musique Française #2 +2CDs Wagschal for Fauré's Nocturnes (2009) + Satie by Ciccolini (and Tacchino) (1986) 4/7/15 Easter Passion Music: New links 3/22/15 German Baroque chamber Music New links in the comments 3/21/15 London Baroque - Trio Sonatas: new links in the comments 3/21/15 Vivaldi - Musica ad Rhenum : new link in the comments 3/19/15 Shostakovich #1 +1CD Bernstein's 5th (NYP, Tokyo 1979) & Cello Concerto with Ma & Ormandy in Philly 1982 3/19/15 Mahler 1 +1CD Solti's recording with the LSO (Decca, 1964), a new rip by Sgorby 3/19/15 Darmstadt #3: +1CD rip by Sgorby of already posted Ligeti by Cerha (Wergo) 1971 (previously on LP rip) 3/16/15 Debussy #4 The Complete Solo Piano Music

The Well-Tempered Ear

January 17

Classical music: Madison Opera will present the Midwest premiere of ‘Charlie Parker’s Yardbird.’ Here are the many impressive preparatory events for the public that start this Friday

By Jacob Stockinger The Ear has received the following information to post about a local opera production that is both exciting and an inspired choice to mark February as Black History Month : Madison Opera will present the Midwest premiere of “Charlie Parker ’s Yardbird” on 8 p.m. on Friday, Feb. 10, and 2:30 p.m. on Sunday, Feb. 12, in the Capitol Theater at Overture Center for the Arts . For more information about the cast and the production as well as about purchasing tickets ($25-$114), go to: http://www.madisonopera.org/performances-2016-2017/charlie-parkers-yardbird/ With music by Swiss composer Daniel Schnyder (below top) and a libretto by writer and poet Bridgette A. Wimberly (below bottom), the acclaimed opera “Charlie Parker’s Yardbird” tells of the legendary jazz musician and the people closest to him. The opera, which melds jazz and opera, is set on the day that saxophone great Charlie Parker died in 1955. As his body lies unclaimed in a New York City morgue, Parker returns in spirit to the jazz club Birdland, determined to compose a final masterpiece. Family and friends blend in and out of his memories, including his three wives, his mother, his friend Dizzy Gillespie , and even his drug dealer. Charlie Parker’s Yardbird premiered in June 2015 at Opera Philadelphia (below is tenor Lawrence Brownlee, in a photo by Dominic Mercier, in title role of Charlie Parker in the Philadelphia production) and was subsequently presented by the company at the Apollo Theater in New York City in April 2016. (You can hear an excerpt in the YouTube video at the bottom.) The New York Times praised it for its “pulsing, jazz-infused score,” while the Wall Street Journal said, “its rhythms snap and swing, its melodies – including real arias – seize the ear, its ensembles crackle with energy.” Madison Opera will be only the second company to present this work, which is sung in English with projected text and runs 90 minutes without an intermission. “I saw Charlie Parker’s Yardbird when it premiered in Philadelphia and instantly knew it would be a perfect opera for Madison,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s general director. “The very American story and the exciting jazz-inflected music fit perfectly into our ever-expanding range of repertoire.” She adds, “It’s not a straight-forward narrative of Parker’s life, but rather elements of his life as refracted through his memories and imagination, and particularly his relationships with the women in his life.” Madison Opera’s cast includes both debuts and returning favorites, as well as a number of singers who created their roles in the world premiere. Joshua Stewart (below), a young American tenor who has sung at La Scala , Bayerische Staatsoper, and Opera de Lausanne, debuts in the tour de force role of Charlie Parker. Angela Brown (below) returns following her performance at Opera in the Park 2016 as Addie Parker, Charlie’s mother, a role she created in Philadelphia. Will Liverman, who sang Figaro in Rossini’s The Barber of Seville here in 2015, sings jazz legend Dizzy Gillespie, a role he created in Philadelphia. Krysty Swann debuts as Rebecca Parker, Charlie’s first wife. Angela Mortellaro, who sang Galatea in Handel’s Acis and Galatea in 2013, returns as Doris Parker, Charlie’s third wife, a role she created in Philadelphia. Rachel Sterrenberg debuts as Chan Parker, his final wife, a role she created in Philadelphia. Baroness Pannonica de Koenigswarter, in whose hotel suite Parker died, is sung by Julie Miller in her Madison Opera debut. Directing this production is Ron Daniels (below), who staged the world premiere and was the opera’s dramaturge, involved in the creation and workshop process. John DeMain (below, in a photo by Prasad) conducts, with members of the Madison Symphony Orchestra in the pit. DeMain says: “I am so happy to be a part of Madison Opera’s Midwest premiere of Charlie Parker’s Yardbird. Parker was consumed with music, breathing it day and night. All of us who are passionate about performing and listening to music can identify with this phenomenal musician and will not want to miss this jazz-infused opera, the perfect expression of Parker’s range and depth as a musician.” Composer Daniel Schnyder will attend the opening night performance and join Smith for the Pre-Opera Talk that evening at 7 p.m. in the Wisconsin Studio. In addition to the performances, Madison Opera and its community partners are hosting a series of related events, collectively known as “Extending the Stage,” which culminate in a concert of Charlie Parker’s music with composer Daniel Schnyder and the UW-Madison’s Blue Note Ensemble. These events include Opera Novice; community previews; Opera Up Close; discussions of the life and music of Charlie Parker (below); and presentations of rare jazz films. All events are open to the public and the majority are free of charge. RELATED EVENTS: EXTENDING THE STAGE Opera Novice: Jazz Opera?
 Friday, Jan. 20 | 6-7 p.m. The Margaret C. Winston Madison Opera Center, 335 W. Mifflin Street. FREE and open to the public New to opera? Passionate about Puccini, but not sure about a jazz opera? Join General Director Kathryn Smith for a short, fun, and informative evening exploring the history of jazz and opera, including a live performance of an aria from Charlie Parker’s Yardbird. With plenty of time to ask questions, it’s the perfect jump-start for the opera-curious. Community Preview of Charlie Parker’s Yardbird,
 Tuesday, Jan. 24 | 7-8 p.m. Capitol Lakes Retirement Community, 333 W. Main St. FREE and open to the public Join a Madison Opera staff member for a multimedia look at Charlie Parker’s life, the history of the opera Charlie Parker’s Yardbird, and some insights into Madison Opera’s production. Opera Up Close, Sunday, Feb. 5 | 1-3 p.m. The Margaret C. Winston Madison Opera Center, 335 West Mifflin Street. Admission: $20; free for full-season subscribers and full-time students with ID; $10 for two-show subscribers. Tickets available at the door. Come even closer with a behind-the-scenes preview of Charlie Parker’s Yardbird. A multimedia presentation on Charlie Parker and the history of this opera will be followed by a roundtable discussion with the leading artists of Madison Opera’s production. There is no better way to get “up close” to this acclaimed new opera. A Charlie Parker Concert and Discussion with Daniel Schnyder and the Blue Note Ensemble Thursday, Feb. 9 | 7:30 p.m. Morphy Recital Hall, UW-Madison. FREE and open to the public Composer Daniel Schnyder joins UW-Madison’s Blue Note Ensemble for an evening featuring music by Charlie Parker, with solos performed by both Schnyder and UW-Madison saxophone students. The evening includes an aria from Charlie Parker’s Yardbird and a discussion about Parker and the opera with Schnyder, UW-Madison Professor of Saxophone Les Thimmig, and General Director Kathryn Smith. Pre-Opera Talks: Friday, Feb. 10 |7 p.m. and Sunday, Feb. 12 | 1:30 p.m. Wisconsin Studio at Overture Center. FREE to ticket holders Attend an entertaining introduction to Charlie Parker’s Yardbird one hour prior to curtain. On Friday night, composer Daniel Schnyder will join General Director Kathryn Smith to talk about the piece. Be sure to arrive early, as space is limited. An Evening of Rare Jazz Films: Alicia Ashman Library. Friday, Feb. 3 | 7 p.m.; Goodman South Madison Library. Tuesday, April 11 | 6 p.m. FREE and open to the public (Below is footage of Charlie Parker playing and of people discussing the man and his artistic achievement.) Jazz archivist Gary Alderman will present and explain films of the historically significant innovators of modern jazz, including the only two known existing videos with sound of Charlie Parker. Among the other musicians shown will be those relevant to Parker’s music and career, including Lester Young, Coleman Hawkins, John Coltrane, Dizzy Gillespie and Miles Davis. The Life and Music of Charlie Parker: DeForest Area Public Library: Monday, Feb. 13, 6:30 p.m.; Alicia Ashman Library: Friday, Feb. 24, 7 p.m.; Fitchburg Public Library: Sunday, Feb. 26, 2 p.m.; Oregon Public Library: Friday, March 10, 6:30 p.m. FREE and open to the public UW-Madison Professor of Saxophone Les Thimmig (below) will talk about Charlie Parker’s life and music, as well as the history of bebop. More information is available at www.madisonopera.org/education . Tagged: Acis and Galatea , Angela Brown , Apollo Theater , archive , aria , Arts , Barber of Seville , Bayerische Staatsoper , Birdland , Black History Month , blue note , Bridgette Wimberly , Capitol Theater , cast , Charlie Parker , Charlie Parker's Yardbird , Classical music , Coleman Hawkins , composer , Daniel Schnyder , dealer , debut , Dizzy Gillespie , drug , drugs , energy , English , February , Figaro , film , Handel , imagination , Jacob Stockinger , January , Jazz , John Coltrane , La Scala , legend , Les Thimmig , Lester Young , library , librettist , libretto , life , Madison , Madison Opera , Madison Symphony Orchestra , masterpiece , melody , memories , memory , Midwest , Miles Davis , morgue , Mother , multimedia , Music , narrative , New York City , opera , Opera de Lausanne , Opera in the Park , Opera Philadelphia , Orchestra , Overture Center , peview , Philadelphia , premiere , rhythm , Ron Daniels , Rossini , Saxophone , score , spirit , swing , Swiss , symphony , tenor , The New York Times , The Wall Street Journal , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , vocal music , wife , Will Livermore , Wisconsin , wives , world premiere , YouTube



parterre box

January 16

Traveling music

Andrea Andermann is a crazy man, we are twice told, admiringly, in supplemental materials for Naxos’s new four-DVD box set. Andermann is the veteran film producer who had the notion to assemble top-flight talent from the worlds of music and cinema for a generously funded film of Tosca. The action would unfold at the story’s specified locations (Sant’Andrea della Valle, Palazzo Farnese, Castel Sant’Angelo), and the film would be broadcast live to 107 countries. After a lengthy period of planning and preparation for this risky undertaking, the live broadcast took place in three installments over a weekend in July 1992, at the story’s designated times of day. In a typical opera film, singers or actors mouth to a prerecorded soundtrack. A similar Tosca of 1976 (with the same Cavaradossi) had followed that game plan. Here, the singing was done live on the locations. The cast followed the Orchestra Sinfonica Nazionale RAI and conductor Zubin Mehta via loudspeakers and television monitors kept from view of the cameras. Mehta, miles away, also conducted “live” while listening to the singers via headphones. After the live broadcasts, minor mishaps were edited out, the singing was perfected for posterity, and the episodes were stitched together for integral distribution. Tosca: In the Settings and at the Times of Tosca (unwieldy title, that) received a 1993 video release on VHS and laser disc. Its success and acclaim, including television awards in several countries, led to similar Andermann productions: La traviata in Paris (2000) and Rigoletto in Mantova (2010). Andermann kept together most of his team over 18 years, beginning with Maestro Mehta and the RAI players. All three films were photographed by three-time Academy Award winning cinematographer Vittorio Storaro (Apocalypse Now, Reds and The Last Emperor). Director Giuseppe Patroni Griffi‘s death in 2005 put the third leg of the triptych in the hands of another distinguished Italian filmmaker, Marco Bellocchio. Superstars Plácido Domingo and Ruggero Raimondi starred in Tosca but were absent from Traviata, Domingo by then being too old for the younger Germont and not yet covetous of the elder, Raimondi presumably being too much of a luxury for Grenvil. Both singers, now nearing 70, returned for the last film as Rigoletto and Sparafucile, respectively. Naxos has collected all three films in a handsomely packaged set with a magnetic clasp, a 160-page book filled with photos and recollections (text in English and Italian), and a bonus disc with features adding up to 190 minutes. The Tosca making-of is a retrospective affair dated 2008; those for Traviata and Rigoletto were contemporaneous with the films themselves. The documentaries will tell you everything you want to know and possibly more about the process of creating the films. We hear from Andermann, Mehta, Domingo and other singers, Storaro, Steadicam inventor Garrett Brown (who worked on Traviata), sound technicians, musical authorities including Philip Gossett, Puccini’s granddaughter Simonetta, a priest at the Sant’Andrea della Valle who was thrilled when those movie/opera people were gone…it is an exhaustive overview, often enlightening but perhaps to be enjoyed over time. //www.youtube.com/watch?v=8Q3bVx8yXHI There is much in Tosca about eyes, but also much about hands. Scarpia sings that his hand awaits Tosca’s delicate one, and of her lover’s hands bound. Tosca sings of beseeching Scarpia with clasped hands, and of the secret hand with which she sought to alleviate miseries. The hands of Tosca arrange flowers (she carries them at her first appearance), execute dramatic stage gestures, commit violent murder. Cavaradossi mourns her sweet hands, pure and gentle. The enlightened Cavaradossi is first seen working with his hands, creating his art. A ring is the bribe that unlocks his hands to write. Scarpia’s hand signs the fraudulent safe passage, and he metaphorically holds the lives of others. There are many examples in Patroni Griffi’s film of the familiar story being directed in meaningful ways that go beyond coasting on visual splendor. The first that comes to mind is a little rhyme Patroni Griffi sets up on the “hands” motif. The bedraggled escapee Angelotti is behind a chapel grate, reaching through it toward Cavaradossi, imploring; we see the shot from both points of view. The decision that Cavaradossi makes in this moment will decide his fate. An echo comes later: the camera lingers on Scarpia’s hands sliding across the dinner table toward Tosca, imploring in another way. In both instances, the person being reached toward registers horror, indecision and a dawning awareness of consequences. All three principal figures receive strong and persuasive characterization, and I have not seen their psychology and interactions handled better. This Tosca is spirited, high-strung, and childish. Her humor is “cute,” that of a young person–when she orders Cavaradossi to change Mary Magdalene’s eye color, she mimes dabbing at the painting. Once a temperamental squall has subsided, she has the wrung-out quality of a child who had been upset but will be on good behavior after reassurances. There is nothing arch or calculated about her. Her feelings are genuine, intense, primal. Cavaradossi is much the stronger character, the adult in the relationship. Scarpia is a fascinating antagonist for them. Near the conclusion of the first act, he hovers over and behind the praying Tosca with what looks like real, unguarded tenderness, and draws ever closer to her. When Tosca leaves the church, this side of him vanishes. With a flip of the switch, he finds new vehemence for his remarks during the Te Deum. Both Tosca/Scarpia scenes are sexually charged, and the one at Palazzo Farnese is electric. When the bargain is struck, Scarpia lays a long kiss on Tosca, and her reactions are complex and disturbing, to her and to us. Revulsion does not appear to be one of the reactions. We may ask whether Scarpia himself is all Tosca is killing. Tosca’s subsequent recounting of events for Cavaradossi, though factually accurate, has a flattened-out quality. The ambiguity we saw has been bleached out of it. Is she aspiring to Cavaradossi’s virtuousness, willing away recognition of her powerful attraction to the sinister, magnetic Scarpia? This Cavaradossi never for a moment believes he is going to be spared execution, or that Tosca will make it off that roof alive. His “Parlami ancor come dianzi parlavi, è cosi dolce il suon della tua voce!” is urgent and very sad. Nothing Patroni Griffi finds is shocking, and nothing is inherently “right” or “wrong,” but he has made big decisions within a generally orthodox production, and what he has decided upon plays with power and conviction. Why is this so rare? Catherine Malfitano makes an effective Tosca without having ideal equipment for the role, or at least without having completely worked it into her voice (she was singing it for the first time). She has a pretty middle register and some good chest tones, but often sounds whitened or puffed up, simulating Italianate grandeur. She compensates with a high-voltage personality and the right feeling, and is always interesting to look at–she actually has the irregular beauty of a stage idol of an earlier time. Cavaradossi was one of Plácido Domingo‘s best and most frequent roles over many years. By 1992 he was deeper into Wagner, and it was getting close to time for him to set aside old standbys. The voice is bulkier, the tone less brilliant than in the 1985 Met video, with a tug on the top, but musical and dramatic responsibilities are handled with customary elegance and assurance. The great performance is by Ruggero Raimondi, who is in good voice, is well recorded, and never oversells anything. Like all the best Scarpias, he knows the value of only hinting at menace. He is intelligent enough not to snarl and roar from the start and leave himself nowhere to go in the second act. The excellent Italian comprimari include a future Fiesco and Filippo, Giacomo Prestia, as Angelotti. Television director Brian Large prefers to keep us very close to faces. There is some eccentric angling, providing good views of walls, ceilings, skies, and the principals’ dental restorations. In this as well the two films discussed below, subtitles are often helpfully shunted to the side so as not to cover faces or spoil compositions. //www.youtube.com/watch?v=nunm1BXjRtU I had not seen any of the films in this box before receiving the set for review, and I finished Patroni Griffi’s Tosca believing Puccini’s opera a greater work than I had thought it to be two hours earlier. No higher compliment can be paid. The strong start raises expectations for the rest of the trilogy. Unfortunately, the magic does not return for Traviata in Paris, shot at Hôtel de Boisgelin, Hameau de la Reine, the Petit Palais and the Île Saint-Louis. One problem is that Traviata does not adapt as well to this cinematic approach. It is inherently stagier, with its primo ottocènto holdovers. The viewer is keenly aware of artificiality when, for example, Patroni Griffi has no better option than to shoot a chorus of guests walking toward the camera in mass exodus, singing about how much they have enjoyed themselves at the party now ending. Traviata has a greater number of extended arias to deal with, and Patroni Griffi’s visual solutions to them are standard choices. That aside, the director seems less inspired by this story and these characters. There are only flashes of what elevated the Tosca, and what remains to be praised is just a good filmmaker’s shrewdness. For example, “O mio rimorso” is literally a “cabaletta,” with Alfredo bitterly musing in profile, having boarded a horse-drawn carriage. It is a smart way around the staginess of the character standing and singing at length about what he is preparing to do. All of this would matter less if the Traviata cast members had matched the artistry of their Tosca counterparts. Tall and attractive young Siberian soprano Eteri Gvazava had been singing with a small German company when Andermann handpicked her from among hundreds of hopefuls. Per his account in a New York Times article of 2000, he then kept his discovery out of contact with the world for six months of Italian lessons and rehearsals, and he predicted the film would catapult her to a marvelous career. Despite the exertions of those six months, it is hard to imagine anyone who has heard Traviata adequately sung getting enjoyment from this Violetta. Tone is shallow; rhythmic points are neglected; phrases droop. For all the lessons, Gvazava pronounces the words as if uncertain she can do it correctly, and hoping errors will not be noticed. Much is unintelligible or swallowed up by the orchestra, and this is a wan, one-note heroine. The first scene leaves an especially bad impression. A fragile Violetta is plausible and perhaps desirable, but one who fails to stand out in the crowd at her own party is not. Rolando Panerai had been singing professionally for over 50 years. One is inclined to be charitable in evaluating late-career Giorgio Germonts from veteran baritones who have given a lot, but this is not a good example. Panerai widens his eyes and shouts his way through the part, but is not really an angry or severe Giorgio Germont. The prevailing quality is blandness. There are several options for this character, and I am stumped as to which one Panerai was pursuing. He delivers lines very deliberately, as if he wants to be sure he is understood by someone transcribing at a distance. When he pairs with Gvazava’s mewling Violetta, his “too much” and her “not enough” make an unappealing combination. José Cura‘s Alfredo is worldlier and more knowing than Gvazava’s Violetta, which cannot be right, but he is the principal trio’s standout by default. He was considered an exciting prospect at the dawn of the millennium, and may have been expected to carry the film. With benefit of hindsight, one can hear warning signs, and maybe they were obvious in 2000–his burly tenorizing is pressured and full-throttle, bespeaking technical contrivance. He is good-looking and a good actor, with a divo’s presence, but his brooding, intense Alfredo suggests a duded-up Don Alvaro. The artfully directed final act is a remarkable 28-minute uninterrupted take from Garrett Brown and his Steadicam. We begin in Violetta’s more modest surroundings, and at first we see only Violetta’s and Annina’s hands in close-up. Dottore Grenvil enters and we never see his face either, only his hands. Grenvil carries out his examination, says comforting things, and tension is evident in his grip on a stopwatch. Gradually the women come into fuller view (the face of the young Annina, Magali Léger, is a terrific camera subject). The Germont men and the returning Grenvil are folded into the deathbed party with virtuoso fluidity. This act is the visual high point of the film and should be seen by anyone with an interest in filmmaking technique. Brown is justifiably proud of his contribution; this veteran of 70 films considers the sequence a career high point. But with a musical performance more croce than delizia, Traviata in Paris offers little else beyond pretty scenery. There are a dozen better Traviata videos to see…or, more to the point, to hear. Even a sworn note-completist may be grateful for the traditional cuts. //www.youtube.com/watch?v=XBy6EVCJaps Rigoletto in Mantova, filmed at Palazzo Te, Palazzo Ducale and La Rocca di Sparafucile, represents a partial recovery. Of the three films, it is the smoothest, with the highest level of technical polish (Storaro’s lighting is especially beautiful this time), but also the the most straight-ahead in its choices. Bellocchio’s work lacks the surprise of Patroni Griffi’s in Tosca and, to a lesser extent, Traviata. For long stretches, we see a routine stage production of Rigoletto transferred to unusual locations. This may have introductory-level appeal to someone coming new to Rigoletto, but only the interventions of the liveliest performers rescue it from dullness. Bellocchio is good with actors, and the Duke’s courtiers all have specific points of view. When Rigoletto pleads with and rages at them, the eye can wander from one face to another and take in different attitudes: cruelty, insolence, amusement, sympathy, shame, boredom. Gilda’s abduction, the business with the ladder and the blindfold, is better timed and more plausibly brought off than it usually is on the stage. Two scenes in which characters are spied upon through windows, and implausibly do not notice, may make a point. The observed characters are so lost in reverie that they are oblivious to danger. At the time of this writing, Rigoletto remains a Verdi baritone role Domingo has not sung on stage. Perhaps singing it for the film convinced him it was not as congenial as others to which he has returned regularly: Nabucco, Foscari, Macbeth, Germont, Boccanegra. Nevertheless, it hinted at the direction he would take in this decade, and a review of the performance applies to many of his others since 2010. This was once a magnificent voice, and he has more of it left than seems probable. He understands how the music is supposed to go; he knows what the words mean. Impressive singing alternates with blustery, strained singing. The dramatic performance is serviceable rather than finely detailed. There is a mass-marketed nobility more appropriate to kings, doges and gods; Rigoletto is deprived of shading. We may conclude feeling as though we should admire achievement and endurance (“At an age when…”) more than performance. The other veteran, Raimondi, is credited with “special participation,” and his Sparafucile is a pleasant surprise. As recorded here, he makes more of low notes, never a strength, than I was expecting. He is again a clever actor, and he and the Maddalena, young Georgian mezzo Nino Surguladze, get a strong and interesting rapport going. Separated by 36 years, they would make a more likely father and daughter than brother and sister, and one can choose to view it that way–a warped mirror image of the father and daughter who observe them. Surguladze sings with authority and color and is a compellingly sexy figure for the camera, surely capable of luring marks into danger. Russian soprano Julia Novikova was cast as Gilda shortly after her first-prize win in Domingo’s 2009 Operalia competition. Nerves are understandable, and hers is not a performance one would call “finished.” The Italian is muddy, a high note or two lands under pitch, and the phrasing needs sharper etching, but the vocal material is sound. She is not overmatched by Gilda as the previous film’s soprano was by Violetta, nor is so much of the opera’s weight resting on her; she can secure a draw. In dramatic terms, she is a satisfactory standard Gilda, with an accessible blond prettiness reminiscent of Michelle Williams’s. Vittorio Grigolo was in 2010 another talked-about tenor who may or may not turn into something, and he has since cemented his status as a headliner. He convinces as the vain, immature, sexually harassing Duke of Mantua, and he can wear a puffy shirt. His relaxed, confident singing, with a pleasant, sun-dappled tone and quick vibrato, seems part of a package that would make him irresistible to the sheltered Gilda. Mehta’s brusque conducting keeps him coloring within the lines. Mehta contributes to all three films what is needed above all: a steady hand. I find his approach more apposite in Puccini than in middle Verdi, but each time he gets an attractively burnished, weighty sound and holds singers and orchestra together in challenging circumstances. Performances within collected sets, whether sets of Mahler symphonies or of Italian operas, rarely are of even quality across the board, making it difficult to render a verdict. Tosca in Rome (as it has been more concisely renamed) is the urgent recommendation, an outstanding filmed opera that wears its 25 years lightly. Traviata in Paris and Rigoletto in Mantova are, respectively, very disappointing and pretty good follow-ups. Neither would be my first choice for the opera under consideration. Naxos’s box is attractive in presentation, with generous and interesting supplemental material. Ultimately, the call may come down to how intrigued someone is by the novelty of Traviata and Rigoletto as cinematic experiences, photographed by great technicians from another art form, separate from purely musical matters.

Giacomo Puccini
(1858 – 1924)

Giacomo Puccini (22 December 1858 - 29 November 1924) was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O mio babbino caro" from Gianni Schicchi, "Che gelida manina" from La bohème, and "Nessun dorma" from Turandot, have become part of popular culture.



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